Burning Man 2006

September 13th, 2006

Well the Flaming Lotus Girls have done it once again. They’re getting bigger and bigger, and the philosophy behind the group is still thriving like the first day. They burn fire, but don’t burn their pieces, thanks whoever for that, and want to make them available to the public everywhere around the world. If you know someone and wants their art to be at your venue for a night, a year or forever, please post your info here, and I’ll contact you.

So here you are this year’s films:
http://www.madnomad.net/menu/index.php?iframe=film

The latest one is called “Burning Man 2006 (the Serpent Mother)". Check out whether you were there or not. These girls and boys have very impressive skills and love to share their fire.

The documentary is in its 3rd year now. What was I thinking, doing a documentary about Burning Man is not a simple task that you can achieve in a few months, not even in a year. Now serious editing needs to happen. I’ll keep you posted.

Burning Man 2005

September 15th, 2005

Last year I was filming a lot and spend some time around a lot of different groups in search of which group of people I would stick around for the following year. I made my choice on the Flaming Lotus Girls. The Flaming Lotus Girls are a collaborative group of women (and men) whose goal was to produce art for Burning Man in a environment made to teach women how to work with metal. This seemed a very interesting and mature group of people. That’s why I decided to try to tell their story and show them at work (50 weeks a year in their shop in San Francisco, the other 2 weeks at Burning Man).

This year’s project was called the Angel of the Apocalypse. It took about 20 people, old timers, as well as freshly arrived Flaming Lotus Girls. The piece was placed in the deep playa and created a space for people to hang out away from the city, which is usually more like a refugee camp. At night, the large concentration of people is found at the sound camps on the edge of the city, but the Angel was burning propane all night long, which provided warmth and a nice place to enjoy the vast playa and party under the open sky.


Angel of the Apocalypse

Picture: Caroline Miller

At this point the filming is going to slow down quite a bit, and I am going to start editing. I will be doing some follow-up with the Flaming Lotus Girls as well as interviewing with them and a few other key players in the Burning Man history. Until then enjoy the decompressions around the country and talk to you soon.

2 short movies

March 31st, 2005

I have edited 2 short movies using some of the footage I have shot for this documentary. You can find them both under:
http://www.madnomad.net/menu/index.php?iframe=film

  • Burnin’ Bush was filmed in 2004, and really only show the camp during the day.
  • The Flaming Lotus Girls was made for their Art Show/Fundraiser in March 2005. This is more complete but still very high level.

Enjoy!

Can you help?

January 11th, 2005

I’m looking for a few things:

  • Anthropologists, teachers/historians in American Civilization, as well as Modern American Civilization who’d like to share their views about the event. It is best if you have been to the event. These are perspectives that I don’t hear about often, and that I would like to bring into the documentary. Let me know if you feel you can help me with that, it would be very much appreciated.
  • Animation artist to build some sequences in the movie and to collaborate with.
  • Footage… lots of footage. All my own footage is from July 2004 until now.
  • Footage of early, very early Burning Mans on Baker Beach and on the playa.
  • Just anything that’s Burning Man related is good. Whether on the playa or not, if you have something that’s interesting could be useful for use in the documentary. I’ll be happy to exchange footage also.
  • Footage of the playa from above would be fantastic.
  • Let me know if you can help with any of this footage. Please contact Burning Man office as well as the artist if you don’t know where this is going to go. Read my post down below titled “Burning Man Organisation Acceptance Process” also to find out more about what they know about me. And you will be credited for this footage.
>Comments, feedbacks on what you’d like to see in a documentary, ideas that you’ve had that you would see fit well into a documentary. People, characters that must make it in a documentary about Burning Man.

  • Music. I know quite a few people that have offered or who I have asked to compose music for this movie, but if some people have already made music that think could fit well into a Burning Man documentary and want to discuss this with me… contact me. I’m looking for different styles, but to put you on track, music like in Baraka would be great, sound ambiances to go with interviews, etc…
  • To know if there’s any information on this site that is missing, wrong or simply needs detailing.
  • Let’s make this documentary together. I hope to hear from you out there, whether you live in SOMA in San Francisco just around the corner from my place or on the opposite side of the earth in the middle east. Thank you in advance. Olivier.

    Production Information

    January 9th, 2005

    I will add more information to this post later. But simply, I am the only one behind this documentary right now. I am funding it myself, and the only constraint is to get approved for release by the Burning Man organisation.

    I do not have a release date, being pretty much independent on this. I’m going to be father in April so this might slow down things a bit. But I will try my best getting something out for the Burning Man organisation to review by this summer. Please don’t take this as a hard date.

    Burning Man Organisation Acceptance Process

    January 9th, 2005

    To make a documentary about Burning Man in which there will be footage shot during the event, I need, as the filmmaker, to get authorization to film during the event from the Burning Man Organisation, officially called the Black Rock City LLC.

    The first step is to fill up the web form. I didn’t know anyone in the Burning Man Organisation. I simply said what my intent was. At the time I had made my submission, and still today, I didn’t know what I would do with the movie after production. I am still thinking that it will go through film festivals, but haven’t thought about it yet much more than that. After the web submission, I was contacted quickly by Ronjon (Jim Graham) who organises the Burning Beach Film Festival and works for the organisation as a volunteer. He told that the organisation agreed to my project and send me an Basic Use Agreement.

    Once this is done, when you arrive on the playa you need to get a badge from Media Mecca (that’s the camp for the official Burning Man media relations) that allows you to film and allow everyone else on the playa to know that you are registered officially. The main reason for this procedure, says the Media Mecca is to avoid having anyone film people naked or any drug related activities.

    Then you are free to film on the playa. And all this procedure is only to allow you to film on the playa. If you make a Burning Man related documentary, you don’t need any of this, other than the regular standard release forms for the participants in the documentary.

    When you’re done with this, 2 more things:

    • The Burning Man organisation, through the Basic Use Agreement, owns all your playa footage.
    • And you will only be allowed to release this movie after the Burning Man organisation has reviewed your film and accepted the use you have done of your footage.

    Another point in the contract says that you might need to pay an agreed flat fee upfront after you have signed the agreement and a certain % of any revenues obtained as a result of a licensed use of the movie produced.

    Right now personally I have executed the agreement. I have not met any opposition from the Burning Man organisation, and actually Ronjon was helpful and easy to deal with. I know of another filmmaker which was not approved for reasons I don’t know. You can actually find a thread on ePlaya about this.

    On the playa itself, I was always asking people if they were Ok with me filming them. It’s not always easy as you might need to shoot right away or you might be shy yourself, but really the interaction with people out there is generally very enjoyable and lots of people are happy to be filmed when you’ve told them what you were doing. In my case it was particularly easy as I will be printing DVDs of the raw footage and give it back to most of the people I have filmed. I have avoided having unnecessary naked people in the footage or stuff with drugs, as this is not really on the subject of my documentary.

    In general, I’ve heard a lot people talking about the fact that there should just not be any cameras on the playa and it can be quite intrusive to their experience of Burning Man. There are lots of picture cameras and quite a bit of video cameras, so I understand the feeling that people have about this., but if you act with respect of the scenes and people you are filming, people will understand that you are also producing arts and documentation of an event they love, and you will probably generate great footage.

    You should probably consult the following web pages:

    If you have more information on this subject, have experience as a filmmaker at Burning Man or have questions, please share them here by replying to this post.

    Thank you, madNOMAD.

    First Cut

    December 23rd, 2004

    I am still actively interviewing. I am slowly starting to put things together, and have given a clear frame to the documentary now. But I am still missing some key perspectives, and am waiting patiently for people to get back to me.

    In the mean time, if you still haven’t checked out the short trailer: Watch it now!.

    Update on Jan 8th 2005:

    I have right now collected 75 hours on DV tape for this documentary. For this I had to capture all the footage on my computer, that’s about 150GB of data in JPEG format low resolution. This is one painful part, but it is now done.

    The whole documentary is filmed in 24fps (24 pictures per second) which is the speed of film. Normally digital video is recorded 30fps -or more accurately 60i = 30 frames per second interlaced- in NTSC format, which is the ugly TV soap opera look. But the camera I’m using records 24fps which looks much more like film. Blablabla… this simply means that I have to postprocess all my footage once it’s on the computer to keep the footage in 24fps, and this is the 2nd painful part. This is almost done.

    Only after that can I start the editing process.

    Update on May 1st 2005:

    The filming will go on until Burning Man 2005 and maybe a little beyond. I am very actively following the Flaming Lotus Girls because their story is inspiring, as well as Pepe Ozan. Also David Best has been asked to build a temple on Hayes Green. This is an important step in Burning Man history where the artists will potentially be given spaces for temporary art in the city, and I want to try to capture that story as a natural evolution of the event.

    Short Teaser

    September 27th, 2004

    Just placed a short 1 minute trailer. This is only using very short sequences filmed on the playa. Check it out.

    The Characters

    September 25th, 2004

    Thanks to so many people:

    Introduction to the documentary

    July 3rd, 2004
    One Man, One Desert, 30,000 Experiences
    a simple movie about naked dragons on drugs

    My art doesn’t come in the form of a sculpture, of a structure that I can expose at the event. Through my art I express what I feel about what I see. And I like to add a photographic aspect to it. This is why I was attracted to the idea of doing a documentary about Burning Man.

    The art in its diverse form is an important part of Burning Man. The artists I have followed brings interesting perspectives about who they are, and why and how they create their art. There is an intimate relationship b/w the artists, the art, the viewer and the playa that seem especially strong at Burning Man.

    Filming Dust Storm

    For this documentary I was also interested in the social, cultural and anthropological aspects of the event. I wanted to understand more how this event fits into the modern American Society, and how through diverse forms of expressions the participants enable this event.

    I am not interested in bringing my own opinion and my own views of the state of the world and the state of the Burning Man. I have simply followed these artists and some participants through their preparation prior to the event and have asked them to share with me their perspectives about the event and how it affects their lives. Most of my interviews were open discussions that I try to influence and direct as little as possible, in order to enable the interviewees’ original perspectives to come out better.

    I am still in the process of filming and discovering more aspects about Burning Man. I am especially giving myself time for more research, reflexion and more in-depth understanding of what I am seeing unfold in front of my eyes, and the eye of the camera.

    This documentary doesn’t have the pretention to show the spirit of Burning Man and hasn’t been filmed with a voyeur’s eye. It is simply a filmic essay for the potential audiences to ask themselves more general questions about the environment they live in today and about the importance of art in the life of their community.

    Burnin' Bush Crew

    Finally another aspect of this documentary is to print DVDs of all the raw footage and to give it back to all the respective participants. This will especially help artists’ collectives that can not do this but could need it for promotional purposes or other.

    You can contact me for any questions, requests, suggestions you might have through this blog by adding your comments, or by sending me a private email at questions(at)madnomad(dot)net